Programs Film @ The Africa Center- FINYE

Join us at The Africa Center on Thursday, September 28th at 7:00PM ET for Film at The Africa Center screening of Finye. Vivid social satire with overtones of Romeo and Juliet, Finye (The Wind) tackles the generation gap in post-colonial West Africa. Its heroine is the pot smoking daughter of a provincial military governor who falls in love with a fellow university student, the descendent of one of Mali’s chiefs of an earlier age. A mix of politics, romance and social commentary, the film casts a critical eye on both the ancient and modern values.

In partnership with the African Film Festival, Film at The Africa Center will host a series showcasing a selection of films by renowned and emerging African filmmakers. These films will reflect a range of genres, themes, and visual styles, allowing audiences to experience the vibrant tapestry of African cinema.

About the Director

Souleymane Cissé is one of Africa’s most admired and respected filmmakers. Born in Bamako, Mali in 1940, Cissé went to high school in Dakar, Senegal. He began his film career as a film projectionist and was moved to begin creating his own films during a screening of a documentary film about Patrice Lumumba’s arrest. He obtained a scholarship to the VGIK in Moscow. He then returned to Mali and joined the Ministry of Information as a cameraman, where he produced documentaries and short films. In 1975 he shot Den Muso (The Young Girl), the first full length Malian feature in the Bambara language. It was immediately banned by the government, and Cissé was arrested and jailed for having accepted French funding. His next feature, Baara (Work), was produced in 1977 and won the Etalon de Yennega at FESPACO in 1978, and Finye (The Wind) produced in 1982, won the Tanit d’Or at Carthage Film Festival in 1982 and the Etalon de Yennega in 1983. His 1993 masterpiece, Yeelen (Brightness) won the Prix du Jury in Cannes in 1987. His film Waati (Time) competed for the Cannes Palme d’Or in 1995. Cissé is Founding President of the Union of West African Cinema and Audiovisual Designers and Entrepreneurs and devotes his energy to developing an economically viable African audiovisual industry. He is also on the board of Martin Scorsese’s World Cinema Foundation, dedicated to preserving and restoring classic films from around the world.